SAN DIEGO - Marc Leishman wasn’t one to spend time on the range as he was growing up - and who could blame him. In those days you had to pick up your own range balls at Warrnambool Golf Club. Instead, he would use the course proper as his practice facility, challenging his mates to contests on each hole. Warrnambool is a coastal town in Victoria, Australia, a little over three hours drive from Melbourne. The course was rarely full, which allowed a group of youngsters to spend a bunch of time on each hole without slowing pace of play. "It might take us three hours to play nine holes - not holding people up - but we forever came up with things to do," Leishman recalls. "We put ourselves behind trees, or in divots, or tough bunker lies – really in all sorts of spots where we had to use our imagination. We had a lot of fun." Imagination. It's a word used less and less in modern golf. The art of golf is - at times - being bludgeoned by the science. In the past, the likes of Seve Ballesteros would wow the masses with his creativity from all over the course. In more modern times, Bubba Watson has shaped the ball in ridiculous ways. But now the game is skewed towards the athletic prowess and strength of a player and brute force can get you to places never seen before. We have players like Bryson DeChambeau following the science of the swing and of the body and calculating all sorts of variables around every shot to chase perfection. We have technology and stats measuring everything. Gadgets and gizmos a plenty, whozits and whatsits galore. Science has indeed taken the sport to incredible new heights. But science isn't everyone's best subject. Leishman has always been an artist. The joy in his golf comes from shaping the ball both ways or hitting it high or low on demand. He craves hard and fast courses and thrives in the wind. He loves being able to hit the same club across a wide yardage range and gets juiced up when the opportunity to paint a picture surfaces in his game. "That’s when I play my best golf - when I have to use my imagination. Augusta requires a lot of it, the British Open requires a lot of it and it’s what makes golf fun for me," Leishman says. I would call myself an old school pro. The game is an artistic game for me, and I love when you have to control it on the ground and through the air and you really have to think. It is a style that has seen him win five times on the PGA TOUR including last year at the Farmers Insurance Open where he defends this week at Torrey Pines. In the final round a year ago, Leishman couldn't buy a fairway. He was 70th in the field for Strokes Gained: Off-the-Tee losing -1.235 to the field. But he invented ways to get himself to the greens regardless of the inaccuracy and gained +4.778 strokes putting as he made 151 feet, four inches worth or putts. Not long after Leishman was runner up at the Arnold Palmer Invitational Presented by Mastercard, an event he won in 2017. Then he opened THE PLAYERS Championship with a 5-under 67, his career best first round at TPC Sawgrass where his scoring average is a not so impressive 72.25. At seventh in the FedExCup, he was rolling along nicely. Of course, we all know what happened to the world next. But Leishman had no clue the COVID-19 pandemic would derail his form so significantly. Not many players - if any - spiraled like he did after the extended pandemic break. In his six regular season starts upon return, Leishman missed three cuts and posted a T40 as his best result. His early season form kept him in the duration of the three FedExCup Playoffs but he was a virtual passenger. Leishman missed the cut at THE NORTHERN TRUST. He then shot 80-78-79-73 (+30) in the no-cut BMW Championship (another tournament he's won before) to be dead last, nine shots worse than second last and 34 shots behind winner Jon Rahm. In the TOUR Championship he was 29th of 30 players. His start to the 2020-21 season wasn't much better as the now 37-year-old missed the cut at the U.S. Open followed by a T52 and T70 at the limited field CJ CUP @ SHADOW CREEK and ZOZO CHAMPIONSHIP @ SHERWOOD. It wasn't pretty. So, what happened? It was a bunch of factors but at its core - Leishman got bogged down studying science and got frustrated with his art not making it to a gallery. "Having a big rest over the pandemic break was good for me to be with family but for my golf game it wasn’t so good for me," Leishman explains to PGATOUR.COM. “Normally on weeks off I don’t play at all, so I virtually have never played golf with no crowds. It’s either in a tournament or in a practice round at a tournament so that was very new to me. Even when I play golf back home in Warrnambool there are people watching me so returning without fans was weird. I really struggled with energy." The energy he refers to is the competitive instinct of the artist who loves to entertain and who thrives on an internal underdog factor. Leishman long went unheralded by the American public who confused him with other golfers and even when his profile rose, and he was grouped with big name stars, Leishman's nationality usually meant he'd be fighting for the majority of support. It was fuel for him. "When you’re struggling with crowds around it can still be fun because if there are 50 people watching and you hit a shot from the trees you can kind of entertain or show off your skills a little bit," Leishman says. "It gets you engaged even if you’re going to miss the cut – you think these people might remember this if I pull it off. But I was in the trees a lot last year and you can’t even show off when no one is there. "As an artistic player, when you start drawing dodgy pictures with your shots, which I was doing, you start to think about it too much and I started getting technical. I started thinking science and that's never good for me. I was looking in the wrong places for solutions." Now, it's not like Leishman hadn't had some tough weeks in his career before. But in normal circumstances, time with coach Denis McDade would quickly fix any swing issues. Problem was McDade is based in Australia and the pandemic made travel to the U.S. very difficult indeed. Sure Leishman could have looked for a local coach but he's a fiercely loyal type of guy. He's had the same coach and same caddie since he burst on to the PGA TOUR and was Rookie of the Year in 2009. McDade is loyal also. Despite plenty of roadblocks he made his way to the U.S. in late October last year and hooked up with Leishman in Los Angeles during the ZOZO CHAMPIONSHIP. After watching the opening two rounds intently, he had the answer. "It was huge for him to come over and a massive commitment from him," Leishman says. "He has a family back home, but he was over here for six weeks and he got home and had to spend two weeks mandatory quarantine in a hotel room where you don’t get given a room key. He missed his birthday and his wedding anniversary during quarantine, so I am really appreciative and want to thank him. "In the end it wasn't really my swing at all. It was the way I was getting into the ball - I was standing too far away from it," Leishman reveals. "I was being technical on the tee; I was doing drills in the tournaments before every tee shot which I had never done before, and it was getting me too far away from the ball and my weight too far on the toes. When my weight is on the toes my balance is bad and I miss it right and left and it’s just a disaster – I was in a hiding to nothing. "So, it was something really simple and that's where it’s really good that I’ve been with Denis for 18 years. He knows my tendencies and he saw it straight away. If I had gone to someone else or jumped ship with him not being able to come over, a new coach may or may not be able to see that." The results were near instant. In his next start at The Masters, Leishman was T13, hitting the ball better than most of the field but only falling behind on the greens. Two weeks ago at the Sony Open in Hawaii, he finished T4, his first top 10 since the pandemic break. Now he gets another crack at Torrey Pines where he has a win, two runner ups and two further top 10s in his portfolio. Look out. The artist is back.
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